Sunday, June 07, 2009

Le Bonheur

It would be easy to dismiss this film as incredibly simple in its ambition, especially given how exhilarating Cléo from 5 to 7 is.

The film's flaccid subject matter is working class marital infidelity and it seems to condemn reckless male desire by demonstrating how tragic the consequences are if it goes unchecked.

But this is too easy a target for Varda. I want to believe that she's somehow satirizing this simplistic reproach of masculinity. I want to believe that she's complicating a sad vision of the world proposed by moralists who try to tighten their grip on other people's behavior. An ironic reading of this film, however, is implausible.

A more likely interpretation is that Varda wants to elevate the irritatingly trite content of this narrative by blessing it with cinematic splendor. This film is, if nothing else, a colorful experience.

Le bonheur

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